“Nobody knows the answer to that, including me.” “To this day, nobody has been able to decipher the issue of why was I running through the woods with a windbreaker and jeans and a shirt on, but when I was a vampire, I was in my pajamas,” Scribner says. The oblivious townsfolk beat the bushes looking for the lost child, but Ralphie is not coming back-except for in the spectral form that appears one night outside his brother Danny’s bedroom. Their intention is to turn the remote village into a new hive. Scribner had just turned 13 when he played the first of the victims, a boy named Ralphie Glick, who vanishes in the woods after the arrival of a strange man (James Mason) who moves to the town with a crate carrying an ancient monster within. When Hooper died in 2017, Guardians of the Galaxy and Slither director James Gunn wrote that Hooper had “created the moment that scared me the most as a child-that floating, dead kid tapping on the window.” The First Window But really, it’s just about a lost little boy, finding his way home to his big brother. Some of the subconscious filmmaking techniques at play burrow under the skin in deceptive ways, as the actors will explain. The bedroom window sequence is notable because it features not a drop of blood, and not a single word of dialogue. Eminem gave it a shout-out in “Lose Yourself” (“I cannot grow old in Salem’s Lot…”) as a reference to a home that drains your life away, vampiric intrusions or no. Its influence has been felt in everything from The Lost Boys to Midnight Mass, and the window sequence was even famously spoofed on The Simpsons. Movies based on the books of Stephen King have been scaring audiences for decades, but Salem’s Lot was one of the very first (only Carrie from 1976 came before it) and it still harbors vivid moments of terror that endure 43 years later. This moment from 1979’s two-part TV movie Salem's Lot remains one of the most unnerving to ever hit the airwaves. But then the scratching-oh, God, the scratching-on the glass makes it unbearable. A young boy with an unnaturally pallid face hovers in the mist outside his big brother’s window.

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